The film lacks any visible LGBTQ+ characters or non-cisnormative identities. The story focuses on traditional familial structures, such as brothers, wives, and adopted daughters.

Female characters hold central roles, with Alisa acting as the primary protagonist driving the investigation. However, the film relies on conventional gender hierarchies through domestic roles like Santi.

The cast is predominantly Indonesian, reflecting its regional production context. The inclusion of Richelle Georgette Skonicki offers a minor layer of ethnic variety within this framework.

The narrative operates within traditional frameworks centered on supernatural mystery and morality. It follows a standard investigative arc rather than deconstructing religious or Western institutions.

Tania exhibits eccentric behaviors, such as eating flowers, which serve as standard horror tropes. There is no evidence of a nuanced exploration of neurodivergence or mental health.