The story centers on a nuclear family unit without any explicit mention of non-cisnormative identities. It follows traditional familial structures rather than engaging with queer themes.

Female characters like Laura and the mother are central to the plot. However, their roles are largely defined by domesticity and maternal vulnerability within a traditional family dynamic.

The film provides strong representation by centering an Indonesian setting and non-Western cultural contexts. It utilizes local folklore and the concept of Santet to drive the narrative.

The narrative explores spiritualism and local mysticism, challenging purely rationalist frameworks. It focuses more on internal supernatural mechanics than on broader socio-political or post-colonial critiques.

The mother is depicted with physical incapacity, such as being unable to speak. This vulnerability serves as a horror plot device rather than a portrayal of independent agency.