
Jobriath A.D.
2012

Representation Score
Good
2017
Director
Daisy Asquith
Runtime
75 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Queerama is a powerful archival retrospective that reclaims a century of LGBTQ+ history. By weaving together music and historical footage, it moves beyond sanitized narratives to show the raw tension between persecution and desire. The film excels at centering queer experiences and emotional depth, challenging the straight-centered standards of the past century. However, while it addresses systemic injustices, it lacks a clear focus on multi-layered racial dynamics, emphasizing identity and social shifts over specific racial or ethnic experiences.
Category Breakdown
The film centers on various LGBTQ+ identities through a century of archival footage, exploring everything from criminalization to sexual liberation and pride.
The documentary focuses on the desires and expressions of both gay men and women, presenting diverse experiences outside of traditional gender roles.
While the film touches on systemic injustice, it places more emphasis on the evolution of queer identity rather than multi-layered racial dynamics.
The film critiques how legal and social institutions have been used to persecute individuals, highlighting the friction between personal identity and oppressive historical norms.
There is no specific information regarding the representation of physical or neurodivergent disabilities within the film's archival content.
Present on Screen
Limited or Absent
Official Synopsis
Created from a treasure trove of archive, Queerama traverses a century of gay experiences, encompassing persecution and prosecution, injustice, love and desire, identity, secrets, forbidden encounters, sexual liberation and pride. The soundtrack weaves the lyrics and music of John Grant, Goldfrapp and Hercules & Love Affair with the images and guides us intimately into the relationships, desires, fears and expressions of gay men and women in the 20th century – a century of incredible change.

2012

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1984
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