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Peter the First, Part I

Name: Peter the First, Part I
Director: Vladimir Petrov
Released: 1937
Duration: 145 min

Representation Score

1.4/10

Minimal

1937

Director

Vladimir Petrov

Runtime

145 minutes

Average Rating

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New Showbiz Analysis

This 1937 Soviet epic is shaped by its time, emphasizing state-building over modern diversity. While it doesn't include LGBTQ+ characters or diverse ethnic groups, it effectively critiques traditional religious institutions and outdated social structures. However, it upholds patriarchal norms and a homogeneous ethnic composition, reflecting the societal norms of the 1930s Soviet Union.

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Category Breakdown

Does Peter the First, Part I have LGBTQ+ representation?

Minimal

The film follows a strict assumption that everyone is straight and cisgender, with no indication of same-sex relationships or non-binary identities.

How does Peter the First, Part I portray gender?

Limited

Peter I is portrayed as a strong male leader within a system where women are mostly confined to domestic duties or supporting roles.

How racially and ethnically diverse is Peter the First, Part I?

Minimal

The cast reflects the ethnic makeup of 18th-century Russia, focusing on Slavic identity and a unified national identity.

How does Peter the First, Part I represent religion and culture?

Good

The film criticizes the Russian Orthodox Church as a conservative force, highlighting the conflict between religious traditions and modern secular society.

Does Peter the First, Part I include disability representation?

Minimal

There is no discernible focus on physical disabilities or neurodivergence. Characters function as archetypes of strength or resistance rather than exploring disability.

Present on Screen

Critiques traditional religious institutions and outdated social structures.
Offers a compelling narrative of secular modernization and state development.
Highlights the tension between stagnation and progressive reform.

Limited or Absent

Does not represent non-straight or non-cisgender identities.
Relegates women to domestic or supportive roles, reinforcing patriarchal norms.
Features an ethnically homogeneous cast with limited diversity.

Official Synopsis

This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917.

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