
Death Smiles on a Murderer
1973

Representation Score
Limited
1991
Director
Joe D'Amato
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Return from Death is a genre-driven exploitation film that prioritizes visceral horror and supernatural revenge over social commentary. While the female lead has the power to resurrect the dead, this ability is tied to horror clichés rather than social progress. The film offers a cynical view of institutional power, framing local law enforcement as corrupt and complicit in injustice. However, it lacks meaningful engagement with diverse identities or casting. Ultimately, the narrative relies on traditional clichés of victimization and vigilante justice, failing to provide a nuanced exploration of identity or systemic social structures.
Category Breakdown
The film focuses solely on a heterosexual relationship between the female protagonist and her male savior. There are no characters with non-binary or transgender identities.
The female lead has supernatural abilities through her psychic powers, starting as a victim before taking action. The male character follows the traditional protector role.
The story seems centered around a homogeneous, localized setting with no indication of a diverse cast or subversion of casting norms.
The story portrays local authorities as corrupt entities prioritizing reputation over justice, depicting Western civic institutions as deceptive and oppressive.
The protagonist's coma serves as a catalyst for supernatural events, using physical vulnerability as a plot device rather than offering a nuanced portrayal of disability.
Present on Screen
Limited or Absent
Official Synopsis
When a woman is beaten into a coma and saved from being raped by her handyman (Donald O'Brien), the local security force does a cover-up to save the town's reputation and frames the saviour. After he hangs himself, the woman's strange comatose psi-powers revive him from the dead to exact revenge.

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