The film lacks discernible LGBTQ+ characters or non-heteronormative identities. It adheres to traditional character archetypes without exploring queer identities.

Narratives center on conventional gendered emotional arcs, such as men seeking to revive wives or join deceased brothers. There is no evidence of subverting gender hierarchies.

The film does not demonstrate intentional color-blind casting or a non-Anglo-Saxon majority. The focus remains on individualistic supernatural pursuits rather than ethnic intersectionality.

Supernatural superstition serves as a plot device rather than a critique of Western institutions. The film operates within standard horror frameworks of moral relativism.

Characters' psychological states like grief and obsession drive the plot, but these function as genre tropes. There is no nuanced portrayal of neurodivergence or physical disability.