Finders Keepers, Lovers Weepers
1968
No user ratings available yet
Diversity score: 4.2 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
Good Morning... and Goodbye!
1967
Director
Russ Meyer
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
Tales of eleven losers are told and interwoven. Burt can't satisfy Angel, so she seeks the arms of another man, who is caught by Angel in the arms of another woman. Angel ends up with Justin, who ends up with a co-worker's wife. As Angel and Burt argue, a sorceress watches, and eventually seduces Burt while Angel gets to know Ray, who had previously chased a blonde girl down on the coast. You get the idea.
Where to Watch
Diversity & Representation
Overall Score
4.8/10
Fair
Category Breakdown
LGBTQ+ Representation
The film explores sexual non-conformity and rejects monogamous structures. However, it lacks explicit same-sex intimacy or queer-coded characters to move beyond a low score.
Gender Representation
Women drive the plot through their pursuit of autonomy and sexual agency. The narrative subverts patriarchal leadership by portraying male characters as reactive or inadequate.
Racial & Ethnic Diversity
The casting appears to reflect the homogeneous, predominantly white demographics typical of 1960s exploitation cinema. There is no evidence of significant racial or ethnic diversity.
Religious & Cultural Diversity
The story prioritizes subjective desire over traditional Christian morality. It frames sexual transgression as narrative momentum rather than a moral failing, challenging domestic sanctity.
Disability Representation
There is no discernible evidence regarding the representation of physical or neurodivergent disabilities within the film.
Strengths
- Subverts traditional gender hierarchies by centering female sexual agency.
- Challenges mid-century moral standards through a lens of moral relativism.
- Disrupts heteronormative expectations by rejecting monogamous structures.
Areas for Improvement
- Lacks significant racial and ethnic diversity in its casting.
- Provides no explicit representation of LGBTQ+ identities or queer narratives.
- Offers no discernible representation of physical or neurodivergent disabilities.
AI Analysis
Russ Meyer’s work disrupts mid-century cinematic norms by centering female physicality and agency. The film challenges the era's rigid moral hierarchies by prioritizing individual desire over the stability of the nuclear family. While the film subverts gendered power dynamics, it lacks intersectional breadth. The narrative remains largely homogeneous in its racial representation and lacks explicit LGBTQ+ identities. Ultimately, the film is a study in sexual autonomy that succeeds in deconstructing social contracts while failing to include a diverse range of racial or physical identities.
Similar Movies
Love Is Colder Than Death
1970
No user ratings available yet
Diversity score: 4.6 out of 10
The Girl from Pussycat
1969
No user ratings available yet
Diversity score: 7.0 out of 10
Three-Way Split
1970
No user ratings available yet
No diversity score available
The Hang Up
1969
No user ratings available yet
Diversity score: 4.4 out of 10
Plus ça va, moins ça va
1977
No user ratings available yet
Diversity score: 4.1 out of 10
Pervertissima
1972
No user ratings available yet
Diversity score: 5.0 out of 10
Ménage
1986
No user ratings available yet
Diversity score: 5.8 out of 10
Death Arrives on Time
1967
No user ratings available yet
Diversity score: 4.8 out of 10
The Harem
1967
No user ratings available yet
Diversity score: 6.7 out of 10
Sisters in Leather
1969
No user ratings available yet
Diversity score: 6.0 out of 10
Lonesome Cowboys
1968
No user ratings available yet
Diversity score: 6.9 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.