
Exorcism's Daughter
1971

Representation Score
Good
1990
Director
Imanol Uribe
Runtime
81 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Black Moon stands out as a piece of Nuevo Cine Mexicano that actively deconstructs traditional cinematic clichés. It replaces conventional melodrama with a gritty, realist exploration of individual control against restrictive social frameworks. The film excels in its authentic regional identity and its progressive handling of gender. By focusing on female desire and autonomy, it avoids the patriarchal pitfalls common in traditional regional cinema. While it lacks overt LGBTQ+ representation, its thematic focus on sexual liberation provides a necessary departure from conservative social norms. It remains a sophisticated critique of religious and social orthodoxy.
Category Breakdown
The film doesn't include explicit LGBTQ stories or non-cisgender identities. However, it explores sexual freedom to challenge traditional straight-focused norms.
The story focuses on women's ability to drive the plot and the complexities of female sexuality. This approach challenges male-dominated structures and questions submissive feminine roles.
The film features an all-Latino/Mexican cast, providing an authentic look at Mexican life in a specific coastal area with a particular socioeconomic context.
The movie critiques traditional Western and religious institutions. It uses moral relativism to challenge the dominance of conservative Catholic norms.
There is no evidence available to evaluate the portrayal of physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.

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