The film lacks LGBTQ+ characters and does not engage with non-cisnormative identities. It operates within a traditional domestic horror framework without queer subversion.

The narrative centers on female agency, driven by the interaction between a caregiver and an elderly author. This approach effectively de-centers male presence in the horror genre.

The cast is predominantly white and homogeneous, reflecting the isolated, rural setting. There is no intentional racial blending or effort to challenge Anglo-Saxon norms.

The story explores psychological decay and subjective reality rather than organized religion. The decaying house serves as a metaphor for the erosion of traditional structures.

Disability is limited to the physical vulnerabilities of the elderly character. These elements drive supernatural tension rather than providing a platform for independent agency.