The film focuses on theological conflict and demonic possession. There is no evidence of LGBTQ+ characters or narratives that critique heteronormativity.

Agency centers on male religious authority figures. While female characters are central to the horror, they often occupy roles defined by vulnerability or victimhood.

The East African setting provides an opportunity for non-Western representation. However, local populations risk serving as atmospheric backdrops rather than possessing high narrative agency.

The story is rooted in singular Christian morality. It reinforces traditional religious institutions as the primary defense against chaos rather than critiquing them.

Possession is used as a plot device that leans toward the monstrous. The film utilizes the loss of bodily autonomy as terror rather than exploring lived experiences.