
Take Me Naked
1966

Representation Score
Limited
1973
Director
Derek Robbins
Runtime
40 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Sex Victims is a Britsploitation film that emphasizes transgressive genre elements over intentional social representation. While it lacks racial and LGBTQ+ diversity, it finds a unique niche by subverting gendered power dynamics through its predatory female lead. The film's strength lies in its rejection of polite social structures, opting for a morally ambiguous and chaotic landscape. However, its reliance on established sexual clichés and a homogeneous cast limits its overall diversity score.
Category Breakdown
The film focuses on heterosexual exploitation themes and does not include any queer subtext or non-cisgender identities.
Lady Godiva disrupts traditional power structures by acting as the main agent of change. She subverts the expected role of the male protagonist, taking control of the narrative.
The cast appears uniform, reflecting the demographic norms of 1970s British exploitation cinema. There is no diverse ensemble or race-bent casting.
The film challenges traditional social norms through working-class language and moral ambiguity. It deconstructs established social roles using a supernatural, eerie narrative.
There is no depiction of characters with physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)

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