The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative narratives. The focus remains on a female ensemble within a religious context.

The story centers on a female ensemble driving the plot. By placing women in the male-dominated world of competitive cycling, the film disrupts traditional gendered associations with physical endurance.

The racial composition of the nuns and competitors is not specified. The score reflects a baseline expectation of traditional casting within a French comedic setting.

The narrative explores the tension between religious tradition and the secular pursuit of capital. Religious identity is framed through the lens of material struggle and socio-economic necessity.

There is no evidence regarding the inclusion of characters with visible or invisible disabilities.