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The Joys of Jezebel

Name: The Joys of Jezebel
Director: Peter Perry Jr.
Released: 1970
Duration: 75 min

Representation Score

1.1/10

Minimal

1970

Director

Peter Perry Jr.

Runtime

75 minutes

Average Rating

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New Showbiz Analysis

The film adheres to the conventional cinematic frameworks of the 1970s. It relies heavily on established archetypes and Eurocentric descriptors, offering little in the way of multi-layered representation. The narrative structure centers on a supernatural body swap that reinforces traditional gender roles. By focusing on the dichotomy of the 'innocent' versus the 'temptress,' the film avoids challenging social hierarchies. Overall, the production reflects the homogeneous and straight-centered standards of its era, prioritizing genre-driven comedy over diverse or inclusive storytelling.

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Category Breakdown

Does The Joys of Jezebel have LGBTQ+ representation?

Minimal

The film does not depict non-binary genders or same-sex relationships. It follows typical straight-centered storylines common in 1970s fantasy comedies.

How does The Joys of Jezebel portray gender?

Limited

The story revolves around possession, a cliché that often explores women's control through external influence. It leans into traditional archetypes like the innocent versus the temptress.

How racially and ethnically diverse is The Joys of Jezebel?

Minimal

The emphasis on a 'blonde virgin' reinforces Eurocentric beauty standards. There is no indication of a multi-ethnic cast or diverse character backgrounds.

How does The Joys of Jezebel represent religion and culture?

Limited

Religious symbols are used mainly for humor. The film employs theological archetypes for plot progression without critiquing broader societal issues.

Does The Joys of Jezebel include disability representation?

Minimal

There is no mention of characters dealing with physical, neurodivergent, or sensory disabilities.

Present on Screen

Uses recognizable religious symbols for comedic effect.

Limited or Absent

Lacks racial diversity, reinforcing Eurocentric beauty standards.
Reinforces traditional gender archetypes through the possession cliché.
Does not include LGBTQ+ representation or non-binary identities.
Shows no engagement with disability representation.

Official Synopsis

Satan lets Jezebel return to earth to deliver the soul of a blonde virgin named Rachel by taking over her body. However, Jezebel gets more than she bargained for.

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