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Gone Are the Days!

Name: Gone Are the Days!
Director: Nicholas Webster
Released: 1963
Duration: 99 min

Representation Score

3.2/10

Limited

1963

Director

Nicholas Webster

Runtime

99 minutes

Average Rating

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New Showbiz Analysis

Gone Are the Days! is a social realist drama that emphasizes class struggle over individual identity politics. It excels in critiquing economic structures and highlighting the resilience of the working class. However, the film lacks representation for LGBTQ+ and disabled individuals. While it addresses racialized power dynamics through its plantation setting, it remains anchored in traditional social hierarchies. Overall, the film effectively examines how economic instability undermines traditional stability, providing a nuanced look at social stratification.

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Category Breakdown

Does Gone Are the Days! have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or non-straight identities. The main romantic relationship is between the protagonist and Lutiebelle, following traditional norms.

How does Gone Are the Days! portray gender?

Fair

Women are shown primarily in traditional domestic roles. However, the film subtly critiques masculinity through depictions of male instability and alcoholism.

How racially and ethnically diverse is Gone Are the Days!?

Fair

The story involves characters in servitude, highlighting a narrative focused on racial hierarchies. The plot explores navigating these power dynamics through identity performance.

How does Gone Are the Days! represent religion and culture?

Good

The film strongly criticizes capitalism, focusing on the struggles of the working class. It portrays economic neglect as a systemic cause of social disorder.

Does Gone Are the Days! include disability representation?

Minimal

There are no characters with visible or invisible disabilities given significant roles or ability to act in the story.

Present on Screen

Offers a strong critique of capitalism, framing economic systems as drivers of community degradation.
Provides a nuanced portrayal of how systemic poverty undermines traditional masculine leadership and stability.
Engages with complex racialized power dynamics and the struggle for ability to act within stratified societies.

Limited or Absent

Includes no LGBTQ+ characters or non-straight identities.
Does not represent or give ability to act to characters with visible or invisible disabilities.
Gender roles remain predominantly traditional, focusing on women within the domestic sphere.

Official Synopsis

A young, idealistic man returns home to the plantation where he grew up in servitude. With him, he brings his fiance, Lutiebelle, in hopes of convincing the plantation owner that she is really his cousin in order to secure the family inheritance. To aid in the comic complications that follow are his family members Missy and Gitlow, and the plantation owners endearing (but ineffectual) son Charlie.

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