
Does This Mean We're Married?
1992

1984
PG-13Director
Blake Edwards
Runtime
118 minutes
Average Rating
No ratings yetSynopsis
TV reporter Rob Salinger is married to Micki, but because she's always busy working, they hardly ever spend time together. One night at which he got stood up by Micki again, Rob meets cellist Maude and they soon get romanticly involved. When it turns out Maude is pregnant with his baby, Rob decides to marry Maude. When he's on the verge of telling Micki, she tells him she's pregnant, so he doesn't have the heart to leave her, but he marries Maude anyway. Now married to two pregnant women who don't know about each other, Rob has a busy time taking care of both and keep them from finding out.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on a heterosexual triad. It explores unconventional domestic arrangements but lacks explicit queer identities or narratives that critique heteronormativity through a queer lens.
Gender Representation
The film disrupts traditional hierarchies by centering the plot on volatile interactions between two women. Maude occupies a position of intellectual dominance, subverting typical male-led power dynamics.
Racial & Ethnic Diversity
Casting Glynis John as a wealthy, high-society figure provides a notable departure from 1980s norms. This placement disrupts conventional expectations regarding racial roles and socioeconomic privilege.
Religious & Cultural Diversity
The narrative prioritizes moral relativism and situational ethics over traditional codes. It uses dark comedy to frame anti-social behavior, challenging the authority of standard social institutions.
Disability Representation
There is no meaningful representation of physical or neurodivergent disabilities. Character eccentricities are presented as personality traits rather than explorations of disability.
Strengths
Areas for Improvement
AI Analysis
Micki & Maude succeeds as a postmodern critique of social stability. It achieves its score by subverting gendered power dynamics and embracing a narrative of moral relativism rather than traditional condemnation. While the film excels in its deconstruction of social norms and gendered tropes, it remains limited in its scope of identity. The lack of LGBTQ+ and disability representation prevents a higher overall rating. Ultimately, the film's strength lies in its refusal to adhere to conventional moral frameworks, using dark comedy to challenge the authority of Western institutions.

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