
Work
1978

Representation Score
Good
1987
Director
Živko Nikolić
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Živko Nikolić’s drama is a sophisticated deconstruction of Balkan social structures. It prioritizes the critique of systemic power and communal conformity over modern demographic inclusion, focusing on the tension between individual ability to act and rigid traditions. The film’s strength lies in its portrayal of the individual as a victim of systemic social pressure. It effectively challenges the sanctity of traditional institutions by highlighting the absurdity of collective manipulation. However, the work lacks overt markers of the way different parts of someone's identity overlap. There is a notable absence of explicit LGBTQ+ narratives, racial diversity, or disability representation, reflecting its specific historical and geographic context.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or same-sex relationships. Instead, it highlights interpersonal tensions within a traditional framework where heterosexual norms dominate.
The narrative unfolds within a patriarchal structure that emphasizes gender inequality. It exposes the dysfunction and absurdity of existing communal and patriarchal systems without empowering specific genders.
Set in Yugoslavia, the film features a relatively homogeneous ethnic cast. It focuses on local regional identity rather than showcasing contemporary racial diversity.
The film effectively critiques traditional institutions and communal morality. It portrays the struggle of an individual against stifling social expectations and rigid hierarchies.
The film does not focus on physical or cognitive disabilities. Characters primarily face socio-political and psychological challenges.
Present on Screen
Limited or Absent
Official Synopsis
In an industrial town one business firm stands out with good management. Thanks to the agile director Todor, his successful policy of "World breakthrough" the whole town look forward to progress and incredibly quick prosperity in 1966. The director's driver Milutin is the center of absurdly dramatic relations in which base manipulation dominates. His lonely, consequent, and reasonable admiration for Todor, his honesty and goodwill bring him into situations to which he can't and won't adapt to, nor will he quit...

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