
We Steal Secrets: The Story of WikiLeaks
2013

2016
PG-13Director
Alex Gibney
Runtime
116 minutes
Average Rating
No ratings yetSynopsis
Alex Gibney explores the phenomenon of Stuxnet, a self-replicating computer virus discovered in 2010 by international IT experts. Evidently commissioned by the US and Israeli governments, this malware was designed to specifically sabotage Iran’s nuclear programme. However, the complex computer worm ended up not only infecting its intended target but also spreading uncontrollably.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary focuses on technical, geopolitical, and intelligence-based subject matter. There are no LGBTQ+ characters or narratives addressing non-cisnormative identities.
Gender Representation
The narrative is dominated by a hierarchy of male experts and intelligence officers. It lacks female agency, reflecting demographic imbalances in the cybersecurity sectors depicted.
Racial & Ethnic Diversity
The film centers on tensions between Western powers and Iran. While international in scope, the primary perspectives belong to Western intelligence and technical experts.
Religious & Cultural Diversity
The film excels at deconstructing Western institutional authority. It critiques the legality of state-sponsored digital warfare and the destabilizing nature of geopolitical power structures.
Disability Representation
There is no discernible focus on physical or neurodivergent representation within this technical and political investigative documentary.
Strengths
Areas for Improvement
AI Analysis
Zero Days is a specialized investigative documentary that prioritizes geopolitical and technical analysis over identity-based representation. Its low scores in gender, LGBTQ+, and disability categories reflect the narrow, male-dominated field of high-level intelligence and cybersecurity it examines. However, the film provides significant value through its cultural critique. It moves beyond simple reporting to challenge the perceived competence and moral clarity of Western state institutions. By framing digital warfare as a chaotic, systemic risk, it offers a sophisticated subversion of traditional power hierarchies. Ultimately, the film's diversity is found in its intellectual perspective rather than its demographic breadth. It succeeds as a critical examination of global authority, even while remaining limited in its portrayal of diverse human identities.

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