The film focuses on heteronormative familial bonds between a son and his mother. There is no evidence of queer narratives or non-cisnormative identities.

The story centers on a male protagonist and his psychological struggle. While a maternal figure is influential, the power dynamics follow traditional familial hierarchies.

The film provides a localized perspective by centering a Filipino narrative. It disrupts Western-centric horror tropes by giving agency to indigenous characters in a colonial setting.

The narrative challenges the sanctity of religious institutions by depicting a priest as a perpetrator of violence. It explores moral relativism through the lens of filial piety.

Mental health is addressed through the protagonist's descent into madness. However, this appears to function as a horror trope rather than a nuanced exploration of neurodivergence.