
The Evil That Men Do
2015

2013
RDirector
Waymon Boone
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
7 minutes from now in Nogales, Arizona, Thomas Conrad's life will forever change when he gets caught up in a Mexican cartels poetic game of drug mule chess.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film operates within a standard heteronormative framework. There are no LGBTQ+ characters or non-cisnormative identities present in the narrative.
Gender Representation
The story centers on male-driven conflict and masculine tropes of stoicism. Female characters like the wife and daughter serve as peripheral motivators rather than active agents.
Racial & Ethnic Diversity
A multicultural setting and diverse cast introduce ethnic tension through a cross-border cartel dynamic. However, the film often relies on established thriller tropes and predictable archetypes.
Religious & Cultural Diversity
The narrative engages with standard American thriller motifs like military service and the drug trade. It lacks significant subversion of Western or traditional cultural themes.
Disability Representation
The plot explores mental health through the protagonist's PTSD. While central to the story, the condition often serves as a catalyst for external conflict rather than internal agency.
Strengths
Areas for Improvement
AI Analysis
The film is a conventional genre thriller that prioritizes masculine-centric storytelling and traditional crime tropes. While it includes a diverse cast and addresses mental health, these elements function primarily to drive a standard plot rather than to challenge social hierarchies. Representation of women and LGBTQ+ individuals is minimal or non-existent, with female characters relegated to supporting roles. The inclusion of ethnic tension via the cartel plot follows predictable cinematic patterns rather than offering nuanced character development. Ultimately, the work adheres to established American thriller parameters, utilizing disability and multicultural settings as plot devices within a traditional framework.

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