The Fourflusher
1928

Representation Score
Minimal
1932
Director
Mario Camerini
Runtime
67 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mario Camerini’s film is a product of its time, focusing on escapism and social climbing rather than diverse representation. It uses the 'white telephone' aesthetic to examine the surface-level aspects of high society through comedy. Although the film offers a detailed look at social mobility and the performance of wealth, it does not challenge existing social structures. The narrative stays true to the traditional norms of early 20th-century European cinema.
Category Breakdown
The story follows traditional heterosexual relationships without any hints of LGBTQ+ themes or non-binary gender identities.
Mariuccia plays a minor role in driving the plot, while the story centers around the male protagonist's journey. The film upholds traditional gender roles without challenging them.
The cast is predominantly Italian, reflecting the social structure of 1930s Italy. It focuses on the Italian social hierarchy without including characters from other ethnic backgrounds.
The film highlights the differences in social classes through humorous misunderstandings. It supports the existing social order rather than questioning it.
There are no disabilities that play a significant role in the story or character development.
Present on Screen
Limited or Absent
Official Synopsis
Bruno, a chauffeur having some problem in keeping a job, meets one morning Mariuccia, a taxi driver’s daughter working as a perfumery’s shop assistant, and trying to impress her, pretending to be rich, uses his employer’s car to took her on a trip to the lakes, but things don’t work as planned and to conquer Mariuccia’s hearth won’t be so easy…
1928

1952

1952

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1926

1928

1932

1940
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