The film lacks explicit evidence of non-cisnormative identities or same-sex intimacy. It prioritizes the political and paramilitary aspects of the 1965 era, which may result in a lack of visible LGBTQ+ character arcs.

The narrative likely adheres to the gendered social constraints of the 1960s. While women may appear within the resistance, the primary plot drivers are traditionally male-dominated military and police roles.

Set during the Estado Novo period, the cast likely reflects the ethnically homogeneous demographic of mid-century Portugal. The narrative does not utilize diverse ethnic blending as a central thematic element.

The film scores highly by critiquing traditional Western institutions and state-driven morality. It frames the fascist police force as a corrupt, oppressive mechanism, deconstructing established power structures.

There is no verifiable evidence that disability, neurodivergence, or chronic illness are utilized as central character traits or plot devices within the film.