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Vaudeville

Name: Vaudeville
Director: Jean Marbœuf
Released: 1986
Duration: 85 min

No Poster Available

Representation Score

4.2/10

Fair

1986

Director

Jean Marbœuf

Runtime

85 minutes

Average Rating

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New Showbiz Analysis

Vaudeville is a character-driven comedy that deconstructs traditional marital structures. By highlighting the weariness of established roles and the pursuit of personal fulfillment, the film moves away from rigid social expectations. The narrative challenges the stability of the patriarchal household, creating a more nuanced exploration of human relationships. However, the film does not provide information about racial or ethnic diversity among the cast.

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Category Breakdown

Does Vaudeville have LGBTQ+ representation?

Fair

The film explores unconventional relationships through infidelity and changing romantic roles. Although specific LGBTQ identities are not mentioned, the narrative challenges the stability of traditional relationships.

How does Vaudeville portray gender?

Good

Characters reject traditional gender roles to pursue personal desires. The wife seeks to gain independence through a new romance, while the husband steps away from his role as the 'eternal' spouse.

How racially and ethnically diverse is Vaudeville?

Minimal

The available information provides no details regarding the racial or ethnic composition of the cast. Consequently, no assessment of racial diversity can be made.

How does Vaudeville represent religion and culture?

Good

The story questions the stability of the traditional family unit and the nuclear household. It promotes a morally relative perspective over conventional depictions of domestic life.

Does Vaudeville include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities in the narrative. The focus remains on the interpersonal romantic dynamics between characters.

Present on Screen

Challenges traditional gender hierarchies by allowing characters to reject prescribed roles.
Questions the stability of the nuclear family through a lens of subjective morality.
Explores the fluidity of interpersonal roles and romantic reconfiguration.

Limited or Absent

Lacks information about racial or ethnic representation within the cast.
Does not include characters with visible or invisible disabilities.

Official Synopsis

The husband, the wife and the lover. The husband is tired of playing the eternal husband. The wife would like to live a last love story. The lover, seducer in the soul, only dreams of slippers. As a bonus, there is the brother-in-law, Santa Claus in a department store who carries jealousy in his sack. So everyone changes roles.

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