
I'm a Zombie, You're a Zombie, She's a Zombie
1979

2014
Not RatedDirector
Guy Pigden
Runtime
104 minutes
Average Rating
No ratings yetSynopsis
From the land of early Peter Jackson comes another Braindead movie in bad taste. It’s the third day of shooting the low budget horror ‘Tonight They Come’ on location in the wilds of New Zealand. Director SMP is already beside himself having to work with a self-obsessed leading man and a bimbo actress when into his line of fire comes a new runner, wannabe screenwriter Wesley Pennington. Clearly an accident-prone nerd, Wesley nevertheless tries his best to fit in with the crazed cast and demented crew while falling head over heels for Susan, the set caterer. But something nasty has entered the local water supply and suddenly the zombie extras start acting like genuine members of the living dead, gore stunts looks even more authentic and actual severed limbs fly. Reel life turns real as Wesley attempts to save the day while ensuring his latest script will get made.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a traditional heteronormative structure. The central romance is built around Wesley and Susan, offering no exploration of queer perspectives or non-cisnormative identities.
Gender Representation
Character dynamics rely on reductive archetypes, including a self-obsessed leading man and a bimbo actress. While Susan is a central figure, the film does not subvert traditional gender hierarchies.
Racial & Ethnic Diversity
The production appears to lean toward a homogeneous cast within its New Zealand setting. There is no evidence of diverse ethnic casting or intersectional racial dynamics in the narrative.
Religious & Cultural Diversity
The story functions within standard zombie genre tropes focused on survivalism. It lacks any discernible deconstruction of Western institutions or specific cultural critiques.
Disability Representation
No characters with visible or invisible disabilities are portrayed with agency. Physical impairment is not explored through a nuanced lens of neurodivergence or chronic illness.
Strengths
Areas for Improvement
AI Analysis
This horror-comedy operates strictly within established genre frameworks, prioritizing splatter and survival over social commentary. It relies heavily on recognizable, often reductive, character archetypes to drive its plot. The narrative lacks intentionality regarding intersectional representation. Instead of challenging systemic hierarchies, the film adheres to traditional tropes concerning gender, romance, and social structures. Ultimately, the film serves as a localized genre homage rather than a vehicle for diverse or progressive storytelling.

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