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Zombies on Broadway

Name: Zombies on Broadway
Director: Gordon Douglas
Released: 1945
Duration: 69 min

Representation Score

2.4/10

Limited

1945

Director

Gordon Douglas

Runtime

69 minutes

Average Rating

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New Showbiz Analysis

Zombies on Broadway is a quintessential 1940s B-movie that prioritizes genre clichés over social subversion. The narrative is driven by male characters, leaving women in secondary positions. The film lacks depth in representing diverse backgrounds, adhering to the homogeneous casting and social hierarchies typical of its era. It functions as a standard creature feature designed for comedic and horror entertainment. Ultimately, the work reinforces mid-century norms rather than disrupting them, offering little in the way of diverse or complex representation.

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Category Breakdown

Does Zombies on Broadway have LGBTQ+ representation?

Minimal

The film operates within an assumption that everyone is straight or cisgender. There is no evidence of LGBTQ+ identities or same-sex relationships.

How does Zombies on Broadway portray gender?

Limited

Male characters play leading roles in the film, while female characters have secondary, passive roles within the horror-comedy structure.

How racially and ethnically diverse is Zombies on Broadway?

Limited

The production reflects the homogeneous casting standards of the 1940s studio system. The Broadway setting lacks intentional representation of diverse backgrounds.

How does Zombies on Broadway represent religion and culture?

Limited

The story prioritizes genre entertainment over ideological critique. It adheres to traditional Western social structures without challenging established norms.

Does Zombies on Broadway include disability representation?

Limited

The reanimated creature serves as a monster cliché rather than a nuanced depiction of disability. It lacks the complexity needed for meaningful representation.

Present on Screen

The film provides a clear example of the 1940s B-movie horror-comedy genre.

Limited or Absent

The film lacks gender parity, with male characters holding most of the narrative ability to act.
There is a notable absence of racial and ethnic diversity in the cast.
The central creature is used as a cliché rather than a nuanced exploration of biological or physical differences.

Official Synopsis

Two bumbling press agents must search for a zombie to fulfill a commitment to their ex-gangster boss's new nightclub or face the consequences.

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