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Una de zombis

Name: Una de zombis
Director: Miguel Ángel Lamata
Released: 2003
Duration: 99 min

Representation Score

3.7/10

Limited

2003

Director

Miguel Ángel Lamata

Runtime

99 minutes

Average Rating

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New Showbiz Analysis

Una de zombis is a traditional horror-comedy that prioritizes genre clichés and stylistic homage over social commentary. The narrative centers on a meta-cinematic conflict between filmmakers and supernatural threats, leaving little room for multi-layered depth. The film operates within the conventional boundaries of its era, using established archetypes without deconstructing social hierarchies. Consequently, the characters and settings reflect a narrow, homogeneous demographic. Ultimately, the work functions as a culturally specific piece that lacks an intentional effort toward racial pluralism or progressive identity politics.

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Category Breakdown

Does Una de zombis have LGBTQ+ representation?

Minimal

The film does not feature prominent LGBTQ+ characters or storylines. Tension in relationships revolves around traditional sexual dynamics rather than queer narratives or non-traditional gender identities.

How does Una de zombis portray gender?

Fair

Female characters such as Carla have a strong presence but primarily serve as catalysts for the genre. The film follows conventional gender dynamics without challenging patriarchal structures or traditional hierarchies.

How racially and ethnically diverse is Una de zombis?

Limited

The cast is mainly homogeneous, reflecting a specific regional Spanish setting. There is no attempt to use color-blind casting or diverse ethnic perspectives to break the demographic norm.

How does Una de zombis represent religion and culture?

Limited

The narrative uses Satanic elements as typical horror clichés rather than tools for social critique. It does not significantly engage with secularism, capitalism, or anti-establishment sentiments.

Does Una de zombis include disability representation?

Minimal

There is no representation of physical or neurodivergent disabilities. Characters are portrayed through standard genre archetypes without addressing disability or chronic illness.

Present on Screen

The film effectively uses established horror-comedy clichés to drive its meta-cinematic plot.
The character of Carla provides a clear source of interpersonal tension within the narrative.

Limited or Absent

The film lacks multi-layered depth and fails to engage with contemporary social or systemic critiques.
The cast and setting are highly homogeneous, offering little racial or ethnic diversity.
There is a notable absence of representation regarding disability or neurodivergent identities.

Official Synopsis

Aijón and Caspas are two aspiring filmmakers in their 20s despite having a huge lack of resources, ideas and contacts. Inexplicably, a woman named Carla (the source of sexual tension in the film) agrees to help them. However, if Aijón and Caspas want their film to be released, they will have to eliminate the members of a Satanic mafia of psychopath gangsters who call themselves "The Antichrists", which have returned from their graves in order to spread terror into the world and tell horribly lame jokes. -Edgar Cochran-

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