You are here:

I'm a Zombie, You're a Zombie, She's a Zombie

Name: I'm a Zombie, You're a Zombie, She's a Zombie
Director: Nello Rossati
Released: 1979
Duration: 97 min

Representation Score

3.9/10

Limited

1979

Director

Nello Rossati

Runtime

97 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This 1979 comedy-horror primarily functions as a genre parody, relying heavily on slapstick humor rather than social commentary. The narrative structure is built around traditional horror archetypes, limiting its capacity for meaningful representation. The film's focus remains on the comedic mechanics of its zombie premise. Consequently, it lacks the complexity needed to challenge or disrupt established social hierarchies or diverse identities. Ultimately, the work operates within the narrow, traditionalist framework of its era's regional cinema, prioritizing genre clichés over multi-layered storytelling.

Watch this, not that →

Category Breakdown

Does I'm a Zombie, You're a Zombie, She's a Zombie have LGBTQ+ representation?

Limited

The film does not include any queer narratives or non-cisgender identities. It follows the conventional social structures typical of 1970s Italian comedy.

How does I'm a Zombie, You're a Zombie, She's a Zombie portray gender?

Limited

The story focuses on a male-dominated group of an undertaker and accident victims. An aunt manages an inn, but her role is reactive and lacks significant influence.

How racially and ethnically diverse is I'm a Zombie, You're a Zombie, She's a Zombie?

Limited

The production reflects the homogeneous demographics common in bkground 1979 Italian regional comedies. There is no indication of diverse ethnic casts or intentional race-bent casting.

How does I'm a Zombie, You're a Zombie, She's a Zombie represent religion and culture?

Fair

The film parodies Western horror clichés rather than critiquing social or religious institutions. It uses established genre archetypes for slapstick comedy without deeper cultural subversion.

Does I'm a Zombie, You're a Zombie, She's a Zombie include disability representation?

Limited

The zombie condition is used strictly as a supernatural plot device. It does not explore the nuances of physical or neurodivergent lived experiences.

Present on Screen

The film effectively uses slapstick to challenge the seriousness of classic horror clichés like 'Night of the Living Dead'.

Limited or Absent

The narrative lacks significant roles for female characters, often relegating them to reactive roles.
The film fails to provide meaningful representation of disability, using the zombie condition only as a comedic device.
There is a notable absence of diverse ethnic or LGBTQ+ perspectives within the ensemble.

Official Synopsis

An under-taker (Renzo Montagnini) unintentionally raises three accident victims from the dead while reading out-loud from a zombie pulp novel. He dies of a heart attack, but the zombies then turn around raise HIM with the same book, and the the four of them shamble off looking for food. After unsuccessfully trying to prey on passing motorists, they end up at an inn owned by the aunt of one of the men. After accidentally giving her a heart attack, they take over the inn and try dine on the guests, but their plans go hilariously awry as the movie turns into a parody of "Night of the Living Dead", its sequel (and Italian co-production) "Dawn of the Dead", as well as such classics as "Dead of Night" and even "The Wizard of Oz"

How are these scores produced? →