
Cowboys: "That's Nothin'"
1991

Representation Score
Fair
1971
Director
Lenny Bruce, John Magnuson
Runtime
7 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This animated short serves as a deconstructive commentary on American mythmaking. By repurposing the iconography of the Lone Ranger, the narrative disrupts the traditional moral clarity of the Western genre to critique social conformity. The work's strength lies in its use of satire to expose systemic prejudices. It effectively turns the lens back on the audience, using Lenny Bruce's persona to question the sanctity of the hero archetype. While the film engages with cultural subversion, it remains limited by its reliance on established clichés and a lack of diverse ability to act. It reflects the era's constraints while pushing against traditional American values.
Category Breakdown
The film uses strong language to challenge traditional views of heroism. It portrays the townspeople's disgust as a result of their own narrow-mindedness rather than endorsing the offensive terms used.
The piece centers on masculine archetypes within a Western context. It subtly subverts these archetypes by stripping the hero of his stoic status and exposing him to social vulnerability.
The animation relies on established Western clichés regarding the hero and his companion. It uses these archetypes for satire rather than offering nuanced or high-impact representations of racial diversity.
The film demonstrates cultural subversion by challenging the moral superiority of traditional Western institutions. It portrays the community's rejection of the protagonist as a moral failure.
There are no specific depictions of physical or neurodivergent disabilities in the work.
Present on Screen
Limited or Absent
Official Synopsis
This short animation set to Lenny Bruce's live monologue tells how the Lone Ranger hooks up with Tonto. With Bruce doing all the voices, this animation begins with local folks upset at the Lone Ranger because he won't stay around to be thanked after a good deed. So, he stays and finds he likes hearing "Thank you mask man." When their attention starts to shift elsewhere, he shocks and disgusts the townspeople with a final request. According to the cartoon’s producer John Magnuson, at early showings of this, gay audiences were upset by its apparent “fag-bashing”. And it’s true, part of the fun of the piece is just crying out “Masked man’s a fag”, scandalising and defacing the image of this all-American hero. But it’s within the larger context of Bruce’s analysis of heroism, and that the towns people reject the Masked Man is because of their prejudices, not because Bruce is asking us to endorse them. (from: http://ukjarry.blogspot.de/2010/01/352-lenny-bruce-thank-you-mask-man.html)

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