
Hero - Beyond the Boundary of Time
1993

Representation Score
Fair
1997
Director
Dick Cho
Runtime
103 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Those Were the Days is a meta-cinematic comedy that emphasizes industry nostalgia and stylistic contrasts over social representation. The plot centers on the professional legacy of Hong Kong filmmakers, blending art house sensibilities with commercial zaniness. Due to its focus on male-centric professional hierarchies and regional cinematic history, the film lacks engagement with multi-layered identities. Instead, it serves as a genre-specific homage to the evolution of local cinema, prioritizing historical clichés over diverse character arcs. Ultimately, the film's emphasis on professional competence and industry chaos results in a profile that favors historical clichés over progressive social commentary.
Category Breakdown
The film focuses on professional competition and creative development in the film industry. It does not include narratives or characters that challenge the assumption that everyone is straight or cisgender or explore LGBTQ+ identities.
The story centers on professional rivalries and mentorship among male directors, highlighting traditional patriarchal structures within the film industry.
The film celebrates the unique cultural identity and cinematic heritage of Hong Kong, focusing on a homogeneous context rather than diverse representation.
The film explores the history of Hong Kong cinema through industry clichés, emphasizing nostalgia rather than a critical examination of social or religious structures.
There is no evidence of characters with visible or invisible disabilities. The score reflects an absence of representation rather than the presence of harmful stereotypes.
Present on Screen
Limited or Absent
Official Synopsis
"Those Were the days" speculates on what would happen if a hot international art house director were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.

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