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An Eye for an Eye

Name: An Eye for an Eye
Director: Michael D. Moore
Released: 1966
Duration: 92 min

Representation Score

1.3/10

Minimal

1966

Director

Michael D. Moore

Runtime

92 minutes

Average Rating

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New Showbiz Analysis

An Eye for an Eye is a conventional 1966 Western that adheres strictly to the genre clichés of its era. The story follows a standard revenge arc, prioritizing masculine pursuit and individualistic retribution over social complexity. The film reinforces mid-century social hierarchies, particularly regarding gender and family. By centering the narrative on male bounty hunters and treating women as catalysts for male development, it offers little disruption to traditional norms. Ultimately, the production functions as a period-typical genre piece. It lacks diverse representation across most categories, focusing instead on the established archetypes of the Western frontier.

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Category Breakdown

Does An Eye for an Eye have LGBTQ+ representation?

Minimal

The film focuses on traditional family structures and a male-centric pursuit of vengeance. There is no evidence of non-binary identities or critiques of straight relationships.

How does An Eye for an Eye portray gender?

Limited

The narrative centers on masculine ability to act through the bounty hunter archetype. Female characters are positioned as passive victims of violence rather than active agents.

How racially and ethnically diverse is An Eye for an Eye?

Limited

The film likely reflects the homogeneous Western archetypes common to the 1960s. There is no evidence of diverse casting or race-bending in the narrative.

How does An Eye for an Eye represent religion and culture?

Limited

The plot reinforces classic Western themes of personal honor and individual justice. It lacks anti-institutional or secularist critiques, adhering to frontier moral absolutism.

Does An Eye for an Eye include disability representation?

Minimal

There are no visible or invisible disabilities integrated into the character arcs or plot progression.

Present on Screen

The film provides a clear, focused narrative centered on the established Western genre clichés of justice and vengeance.

Limited or Absent

The film lacks active women's ability to drive the story, relegating women to passive roles as victims.
The narrative offers minimal representation of LGBTQ+ identities or non-assuming gender matches what was assigned at birth perspectives.
The story adheres to homogeneous racial archetypes common to 1960s Westerns.

Official Synopsis

A former bounty hunter teams up with a younger one, to track down and kill the wanted gang leader who murdered his wife and little boy.

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