
The Price of Fear
1956

Representation Score
Minimal
1954
NRDirector
Jerry Hopper
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Naked Alibi is a product of its era, functioning as a traditional mid-century genre exercise. The narrative is built around a psychological and physical conflict between two men, prioritizing individualistic vengeance over social complexity. The film relies heavily on established noir clichés, such as the border town setting, to build tension rather than to explore diverse cultural perspectives. This results in a narrow focus that lacks depth in representing various identities. Ultimately, the work follows the conventional storytelling patterns of the 1950s, offering little disruption to the social hierarchies or gender norms of the time.
Category Breakdown
The film adheres to mid-century cinematic standards, focusing on heterosexual romantic structures. There is no evidence of LGBTQ+ identities or same-sex relationships.
Narrative ability to act is driven almost exclusively by male protagonists Willis and Conroy. Female characters have limited presence and influence in the central conflict.
The Mexican border setting functions primarily as a noir atmospheric element. There is no evidence of a non-white majority cast or characters of color possessing significant influence.
The story centers on personal vengeance and the breakdown of law enforcement authority. It lacks a systemic critique of Western institutions or diverse cultural philosophies.
The film provides no information or depiction regarding physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?

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