Max Sets the Style
1914
No user ratings available yet
Diversity score: 2.8 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
Max and the Statue
1912
Director
Max Linder
Runtime
10 minutes
Average Rating
No ratings yetSynopsis
Max starts out at a costume store to get a costume for a party. He sees a suit of armor and purchases it. He wears it to the party and gets kind of drunk and passes out. In the meantime, a museum has a suit of armor ready for a new display. It is to be dedicated and some such. It comes up missing, so Max, passed out and still in his armor is put on display.
Where to Watch
Diversity & Representation
Overall Score
1.8/10
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focuses solely on a comedic misunderstanding involving the protagonist.
Gender Representation
The story is centered entirely on the male protagonist, Max. There is no evidence of female characters possessing agency or subverting traditional gender hierarchies.
Racial & Ethnic Diversity
The film reflects the homogeneous social environments of early 20th-century France. There is no indication of racial blending or non-white majority casting.
Religious & Cultural Diversity
The plot operates within a traditional Western comedic framework. It functions as a character-driven farce rather than a deconstruction of social or cultural institutions.
Disability Representation
No characters with visible or invisible disabilities are portrayed with agency. The protagonist's intoxication serves as a comedic device rather than a nuanced exploration of condition.
Strengths
- The film offers a sophisticated, urban comedic style characteristic of Max Linder's dandyish persona.
Areas for Improvement
- The narrative lacks gender diversity, centering almost exclusively on the male protagonist's actions.
- There is a complete absence of LGBTQ+ representation or non-cisnormative identities.
- The film lacks racial and ethnic diversity, reflecting a very homogeneous social environment.
- The story provides no representation of characters with disabilities or neurodivergence.
AI Analysis
Max and the Statue is a period-specific comedy that adheres to the conventional social and demographic norms of the early 1910s. The narrative focuses on individual eccentricity and slapstick misunderstandings rather than identity-based representation. The film lacks intersectional complexity, centering its plot on a singular male protagonist. It does not attempt to subvert traditional hierarchies or include diverse social groups. Ultimately, the work serves as a character-driven farce that reflects the homogeneous social structures of its era.
Similar Movies
Max's Vacation
1914
No user ratings available yet
Diversity score: 2.0 out of 10
Seven Years Bad Luck
1921
No user ratings available yet
Diversity score: 2.5 out of 10
Max Takes Tonics
1911
No user ratings available yet
Diversity score: 2.6 out of 10
The Statue
1905
No user ratings available yet
Diversity score: 1.1 out of 10
In the Park
1915
No user ratings available yet
Diversity score: 2.6 out of 10
The Electric House
1922
No user ratings available yet
Diversity score: 2.6 out of 10
The Garage
1920
No user ratings available yet
Diversity score: 2.9 out of 10
The Blacksmith
1922
No user ratings available yet
Diversity score: 2.3 out of 10
The Doctor and the Monkey
1900
No user ratings available yet
Diversity score: 2.0 out of 10
The Cleaning Man
1907
No user ratings available yet
Diversity score: 1.7 out of 10
Oh, What a Knight!
1937
No user ratings available yet
Diversity score: 2.6 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.