
Max Sets the Style
1914

Representation Score
Minimal
1912
Director
Max Linder
Runtime
10 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Max and the Statue is a period comedy that adheres to the social norms of the early 1910s. The narrative focuses on individual eccentricity and misunderstandings rather than identity-based representation. The film lacks complexity in representing diverse identities, focusing instead on a singular male protagonist. It does not challenge traditional gender or social hierarchies. Ultimately, the work is a character-driven farce that reflects the homogeneous social structures of its time.
Category Breakdown
The film does not include any LGBTQ+ characters or non-cisgender identities. The story revolves around a comedic misunderstanding involving the main character.
The story centers entirely on the male protagonist, Max. There are no female characters who have significant roles or challenge traditional gender roles.
The film reflects the homogeneous social environment of early 20th-century France. There is no indication of racial diversity or non-white actors.
The plot follows a traditional Western comedic structure. It focuses on character-driven humor rather than deconstructing social or cultural norms.
No characters with visible or invisible disabilities are shown with significant roles. The protagonist's intoxication is used for comedic effect without deeper exploration.
Present on Screen
Limited or Absent
Official Synopsis
Max starts out at a costume store to get a costume for a party. He sees a suit of armor and purchases it. He wears it to the party and gets kind of drunk and passes out. In the meantime, a museum has a suit of armor ready for a new display. It is to be dedicated and some such. It comes up missing, so Max, passed out and still in his armor is put on display.

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