
Black, White & Us
2019

2018
TV-PGDirector
Loki Mulholland
Runtime
85 minutes
Average Rating
No ratings yetSynopsis
When the award-winning filmmaker of "An Ordinary Hero", Loki Mulholland, dives into the 400 year history of institutional racism in America he is confronted with the shocking reality that his family helped start it all from the very beginning.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The documentary focuses on the 400-year history of institutional racism. There is no evidence of specific LGBTQ+ character arcs or explorations of gender identity.
Gender Representation
The film implicitly critiques masculine-coded frameworks of historical governance and law. However, it lacks specific gender-focused character studies to deepen this engagement.
Racial & Ethnic Diversity
The narrative disrupts Anglo-centric history by centering the history of institutional racism. It prioritizes marginalized perspectives and examines the dismantling of racial hierarchies.
Religious & Cultural Diversity
The film deconstructs Western institutional legacies and traditional American structures. It frames these systems as products of historical oppression rather than stable virtues.
Disability Representation
The available material provides no evidence regarding the portrayal of physical disabilities or neurodivergence within the film.
Strengths
Areas for Improvement
AI Analysis
Loki Mulholland’s documentary is a reflexive examination of systemic power. By intertwining his own family lineage with the history of American institutional racism, the film moves away from detached historical overviews toward a personal deconstruction of legacy. The work excels at challenging traditional, Anglo-centric historical narratives. It uses an oppressor/oppressed framework to highlight how systemic structures were built and maintained over four centuries. While the film offers a profound critique of Western power, it lacks specific representation for LGBTQ+ identities or disability. The engagement with gender remains systemic rather than character-driven.

2019

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