The film follows a traditional comedic structure centered on a male-dominated ensemble. There is no evidence of non-cisnormative identities or narratives that critique heteronormativity.

The cast is heavily weighted toward male performers. While Zhao Liying is a prominent ensemble member, the plot prioritizes male-centric agency within its adventure genre.

The film features a homogeneous Chinese cast consistent with its production context. It does not utilize color-blind casting or non-human species as racial metaphors.

The Ming Dynasty setting serves as a backdrop for a comedic adventure. The treasure hunt motif reinforces standard adventure tropes rather than challenging systemic power dynamics.

There is no discernible mention of characters with visible or invisible disabilities in the available cast or plot information.