
Aligarh
2016

Representation Score
Good
2018
Director
Nandita Das
Runtime
112 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Manto is a sophisticated biographical drama that prioritizes artistic truth over social conventions. By focusing on a protagonist who resists state-sanctioned narratives, the film effectively dismantles mid-20th-century social hierarchies. The film excels at portraying the complexities of identity and the ability to act of underrepresented groups. Using the historical backdrop of Partition, it critiques how nationalism and institutional censorship affect individual lives. While the film offers a rich, multicultural portrayal, it lacks specific representation regarding disability. However, its intellectual rigor regarding gender and religious identity makes it a highly progressive work.
Category Breakdown
The film explores sexuality and social taboos through Manto's literary perspective. It portrays non-traditional identities as important human experiences rather than mere curiosities, focusing on deeper themes rather than romantic storylines.
The story centers on the empowerment of underrepresented women, particularly sex workers, highlighting their ability to act and avoiding victimhood stereotypes. It presents nuanced, humanized portrayals of femininity that resist patriarchal constraints.
The film depicts a diverse, multicultural pre-Partition Bombay, showcasing Muslim, Hindu, and Sikh identities. It highlights the human cost of sectarian violence and how it fractures this multicultural society.
The film delves into post-colonial trauma and the struggle against state-imposed morality. It critiques religious and governmental institutions that often perpetuate communal violence and censorship.
The film explores socioeconomic hardships and psychological trauma, but provides no specific evidence regarding visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.

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