
Best and Most Beautiful Things
2016

2017
Director
Dan Sickles, Antonio Santini
Runtime
101 minutes
Average Rating
No ratings yetSynopsis
Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film does not center on LGBTQ+ identities or narratives that critique heteronormativity. The focus remains on the neurodivergent and socioeconomic experiences of the central couple.
Gender Representation
Dina subverts traditional tropes of submissive femininity by taking an active, instructional role in navigating desire. This shifts agency toward the female protagonist, challenging standard patriarchal scripts of masculine dominance.
Racial & Ethnic Diversity
The film depicts a suburban Philadelphia setting with a cast that does not prioritize non-white representation. The narrative focuses on class and neurodiversity within a relatively homogeneous environment.
Religious & Cultural Diversity
The film presents unconventional lifestyles through a lens of realism rather than moral condemnation. It finds dignity in the mundane, working-class perspective of a Walmart greeter.
Disability Representation
This is the film's strongest area, centering on neurologically diverse characters with significant agency. It avoids 'inspiration porn' by treating cognitive processing as a fundamental identity rather than a deficit.
Strengths
Areas for Improvement
AI Analysis
Dina is a character-driven documentary that prioritizes the complexities of neurodivergent lived experiences over traditional cinematic archetypes. It succeeds in deconstructing social norms regarding 'appropriate' behavior and neurotypical standards of intimacy. While the film lacks significant racial or LGBTQ+ breadth, it effectively centers marginalized cognitive perspectives. The narrative provides a sophisticated portrayal of agency and subjective truth that challenges conventional social hierarchies. Ultimately, the film's strength lies in its refusal to romanticize or condemn its subjects, opting instead for a raw, observational approach to non-conformist storytelling.

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