
Obsession
1954

Representation Score
Minimal
1947
Director
Alfred Travers
Runtime
81 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Dual Alibi is a standard mid-century crime drama that adheres strictly to the genre conventions of 1947. The narrative relies on traditional character archetypes, focusing on a heterosexual couple caught in a cycle of theft and murder. The film lacks intentionality in disrupting social hierarchies. It reflects the homogeneous casting and demographic norms of its era, offering little in the way of multi-layered depth or diverse perspectives. Ultimately, the production serves as a period-specific genre piece that reinforces existing social and moral structures rather than challenging them.
Category Breakdown
The film focuses on a heterosexual relationship between a PR man and his girlfriend. It does not include any non-straight or non-cisgender identities or challenge the idea that everyone is straight or cisgender.
The story centers on a male protagonist and a female counterpart who drives the central conflict. These roles follow traditional mid-century dramatic clichés rather than challenging gender hierarchies.
The narrative centers on Western European identities, specifically a French protagonist. There is no evidence of a non-white majority cast or diverse ethnic representation.
The plot follows a classic crime trajectory that reinforces established moral frameworks. It functions as a cautionary tale rather than a critique of Western institutions or capitalism.
The film provides no information or visible portrayal regarding characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A French PR man and his girlfriend steal a lottery ticket from twin trapeze artists, prompting murder.

1954

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1945

1939
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