The Big Operator
1976
No user ratings available yet
Diversity score: 2.6 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
Crime Does Not Pay
1962
Director
Gérard Oury
Runtime
156 minutes
Average Rating
No ratings yetSynopsis
Husband try to kill his wife with a help of the plan he saw in a film. But reality is not a film.
Where to Watch
Diversity & Representation
Overall Score
2.6/10
Limited
Category Breakdown
LGBTQ+ Representation
The film adheres to the heteronormative social structures common in mid-century European cinema. There is no evidence of queer themes or non-cisnormative identities within the narrative.
Gender Representation
Central agency is concentrated in male protagonists driving the criminal plots. Female characters appear within vignettes, but they do not subvert traditional gender hierarchies or roles.
Racial & Ethnic Diversity
The cast appears predominantly homogeneous, reflecting the typical French productions of the early 1960s. There is no indication of efforts to disrupt Western-centric casting norms.
Religious & Cultural Diversity
The film functions as a traditional moral exercise through cautionary tales. It focuses on genre-driven irony rather than providing a critique of systemic oppression or institutional morality.
Disability Representation
There is no evidence of characters with visible or invisible disabilities serving as central figures or significant plot devices in these stories.
Strengths
- High-caliber craftsmanship and commercial success characteristic of Oury's direction.
- Effective use of genre-driven narratives and comedic timing.
Areas for Improvement
- Lack of intersectional representation or diverse character identities.
- Reliance on traditional, period-appropriate gender roles and social hierarchies.
- Absence of systemic critique or postmodern social commentary.
AI Analysis
Gérard Oury’s 1962 film is a traditional genre piece that prioritizes comedic timing and crime tropes over intersectional representation. The narrative structure, framed as stories watched in a Parisian theater, follows a conventional moral arc where crime is punished. The film is a product of its temporal context, maintaining standard social hierarchies and character agency. It lacks the systemic critique or diverse casting found in more contemporary or progressive cinematic works. Ultimately, the film operates within the established frameworks of mid-century French comedy, focusing on historical vignettes rather than social deconstruction.
Similar Movies
Umbrella Coup
1980
No user ratings available yet
Diversity score: 2.8 out of 10
The Sucker
1965
No user ratings available yet
Diversity score: 2.8 out of 10
Rugantino
1973
No user ratings available yet
Diversity score: 3.0 out of 10
A Crime in Paradise
2001
No user ratings available yet
Diversity score: 2.9 out of 10
Giovannona Long-Thigh
1973
No user ratings available yet
Diversity score: 2.8 out of 10
Relax Yourself Darling
1964
No user ratings available yet
Diversity score: 2.8 out of 10
Too Many Crooks
1959
No user ratings available yet
Diversity score: 2.9 out of 10
The Brain
1969
No user ratings available yet
Diversity score: 2.8 out of 10
The Restaurant
1966
No user ratings available yet
Diversity score: 2.4 out of 10
No Problem!
1975
No user ratings available yet
Diversity score: 3.2 out of 10
The Two Mafiosi
1964
No user ratings available yet
Diversity score: 2.6 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.