Bunohan: Return to Murder

The film focuses on masculine archetypes and brotherhood. There are no LGBTQ+ characters or non-straight relationships.

The movie is centered around male characters dealing with guilt and violence. It lacks strong female roles or stories driven by women.

The film showcases a predominantly Malay cast and emphasizes local folklore and indigenous myths. It highlights Southeast Asian identities.

The story blends moral ambiguity with local spiritual beliefs and animism. It avoids singular religious doctrines or Western moral standards.

There are no prominent characters with disabilities that drive the narrative or serve as central arcs.