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Malizia oggi

Name: Malizia oggi
Director: Sergio Bergonzelli
Released: 1990
Duration: 100 min

Representation Score

2.5/10

Limited

1990

Director

Sergio Bergonzelli

Runtime

100 minutes

Average Rating

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New Showbiz Analysis

Malizia oggi operates as a traditional melodrama, relying on well-established romantic archetypes. The narrative emphasizes interpersonal conflict and domestic desires over any meaningful social critique. The film reinforces conventional social structures without challenging them. By focusing on a standard cycle of attraction and revenge, it adheres to classical dramatic storytelling norms. Ultimately, the work offers a narrow perspective on human experience, consistent with the demographic and narrative norms of 1990s Italian cinema.

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Category Breakdown

Does Malizia oggi have LGBTQ+ representation?

Limited

The film focuses on heterosexual and cisgender relationships, with no evidence of queer narratives or non-binary identities.

How does Malizia oggi portray gender?

Fair

The plot revolves around female characters caught in a cycle of attraction and revenge, following traditional melodramatic clichés.

How racially and ethnically diverse is Malizia oggi?

Limited

The cast appears homogeneous, reflecting the demographic norms of Italian drama from this era.

How does Malizia oggi represent religion and culture?

Limited

The story follows a conventional path of conflict and reconciliation, lacking significant critiques of Western social institutions.

Does Malizia oggi include disability representation?

Minimal

There are no visible or invisible disabilities depicted as central narrative elements.

Present on Screen

The film employs clear, classic dramatic structures that follow a recognizable trajectory of conflict and reconciliation.

Limited or Absent

The narrative lacks multi-layered complexity and fails to challenge traditional gender or social hierarchies.
The casting and themes appear homogeneous, offering little representation of diverse racial or ethnic backgrounds.
There is a notable absence of queer narratives or non-assuming gender matches what was assigned at birth identities within the story.

Official Synopsis

Michel (David D' Ingeo) knows Luna (Deborah Cali), an aspiring dancer, and it is love at first sight. But the boy is also attracted by her mother (Valentine Demy), which gives more time to the advances of the young. Luna, once discovered everything, despairs and runs away. Then, in revenge, he grants the father of Michel, her choreographer. Eventually, though, Michel manages to win her back.

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