
The Dinner
1998

Representation Score
Limited
1989
Director
Ugo Giorgetti
Runtime
87 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ugo Giorgetti’s *Festa* primarily focuses on social stratification. By centering the perspective of the working class—such as a harmonica player, a pool player, and an assistant—the film shifts the focus away from the elite. However, the film stays tied to the social norms of its time. It highlights the tension between the performing upper class and the observing lower class, but it does not delve into multi-layered identity politics. While it offers a critique of class-based power dynamics, it lacks significant representation of race, gender subversion, or LGBTQ+ identities.
Category Breakdown
The film does not explicitly show non-binary or LGBTQ+ identities. It focuses more on social roles based on economic status rather than sexual orientation.
The story looks at gender roles within typical 1980s Italian society. It does not challenge or reverse traditional gender hierarchies.
This film studies different social classes in Italy. It does not include diverse racial backgrounds or challenge traditional demographics.
The story presents an outsider's view, using entertainers to criticize the quirks of the elite. This subtly comments on Western social structures.
There is no information about characters with visible or invisible disabilities in the film.
Present on Screen
Limited or Absent
Official Synopsis
A harmonicist, a pool player, and his old assistant get invited as entertainers at a fancy dinner party but have to wait in the lobby for what seems like forever. They witness all sorts of absurdities as the party goes on and guests loosen up.

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