
The Ernie Game
1968

Representation Score
Fair
1964
Director
Don Owen
Runtime
81 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Don Owen’s film is a landmark of Canadian New Wave naturalism that prioritizes existential subjectivity over conventional dramatic structure. It effectively portrays systemic disillusionment and the tension between youth and parental authority. However, the film is constrained by the demographic homogeneity of its time. It lacks diverse representation for LGBTQ+ individuals, people of color, or those with disabilities. While it challenges some mid-century gender roles by moving women out of the domestic sphere, it remains a narrow portrayal of a predominantly white urban experience.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or non-straight relationships. There are no specific storylines or critiques of the assumption that everyone is straight or cisgender.
Women are shown as active participants in urban life rather than confined to domestic roles. However, the film does not focus on female dominance.
The cast is mainly white, reflecting the homogeneous urban population of 1964 Toronto. There is no significant racial diversity or casting of non-white actors.
The film critiques traditional Western social structures such as family and career. It highlights existential boredom and social alienation to dismantle established institutions.
The film does not feature any characters with visible or invisible disabilities. The focus remains on the psychological state of able-bodied urban youth.
Present on Screen
Limited or Absent
Official Synopsis
A teenage boy rebels against parental authority and must face a harsh reality when he tries to live on his own.

1968

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