You are here:

Face of the Screaming Werewolf

Name: Face of the Screaming Werewolf
Director: Gilberto Martínez Solares, Jerry Warren, Rafael Portillo
Released: 1965
Duration: 60 min

Representation Score

3.4/10

Limited

1965

Not Rated

Director

Gilberto Martínez Solares, Jerry Warren, Rafael Portillo

Runtime

60 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This hybrid production of Mexican and American exploitation cinema relies heavily on mid-century genre conventions. While it integrates Aztec mythology to drive the plot, these elements often serve as exoticized tools for the narrative rather than meaningful cultural explorations. The film lacks engagement with LGBTQ+ identities and fails to provide nuanced representations of gender or disability. Most characters exist within established archetypes, serving the supernatural mystery rather than challenging social hierarchies. Ultimately, the work is a traditional creature feature that uses non-Western themes as a backdrop for a treasure hunt and horror spectacle.

Watch this, not that →

Category Breakdown

Does Face of the Screaming Werewolf have LGBTQ+ representation?

Minimal

The film focuses on traditional horror themes like reincarnation and werewolves, without depicting same-sex relationships or non-cisgender identities.

How does Face of the Screaming Werewolf portray gender?

Limited

Ann Taylor plays a central role through her memories, but her influence is tied to her role as a vessel for historical events. Gender dynamics are rooted in traditional academic structures.

How racially and ethnically diverse is Face of the Screaming Werewolf?

Fair

Aztec reincarnation connects modern and ancient settings, introducing non-Western themes. However, the Aztec woman often serves as an exoticized plot device for a treasure hunt.

How does Face of the Screaming Werewolf represent religion and culture?

Fair

The story engages with Aztec mythology rather than a singular Christian framework. It functions as a creature feature without critiquing colonial or systemic issues.

Does Face of the Screaming Werewolf include disability representation?

Minimal

Characters with disabilities lack ability to act. The werewolf transformation is treated as a supernatural curse rather than a nuanced exploration of physical or neurodivergent identity.

Present on Screen

Integrates Aztec mythology and reincarnation themes into a mid-century horror context.
Provides a cross-cultural production through a collaboration of Mexican and American filmmakers.

Limited or Absent

Avoid using ethnic identities as mere plot devices or exoticized tools for treasure hunting.
Incorporate more nuanced ability to act for female characters beyond their roles as historical vessels.
Include more diverse representations of identity, including LGBTQ+ and disability perspectives.

Official Synopsis

A scientist experimenting with past lives finds a reincarnated Aztec who can lead him to lost treasure—and to a creature that should remain lost. (Composed of footage from two unrelated Mexican horror films, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new American-made footage.)

How are these scores produced? →