
The Last of the Just
2008

2024
PGDirector
Edward Berger
Runtime
120 minutes
Average Rating
No ratings yetSynopsis
After the unexpected death of the Pope, Cardinal Lawrence is tasked with managing the covert and ancient ritual of electing a new one. Sequestered in the Vatican with the Catholic Church’s most powerful leaders until the process is complete, Lawrence finds himself at the center of a conspiracy that could lead to its downfall.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film operates within a strictly heteronormative and cisnormative ecclesiastical framework. It lacks LGBTQ+ characters, non-cisnormative identities, or depictions of same-sex intimacy.
Gender Representation
The central power structure is an exclusively male domain, reinforcing patriarchal leadership models. Women appear only in peripheral roles and lack the agency to influence the central plot.
Racial & Ethnic Diversity
The narrative disrupts Eurocentric tropes by casting a diverse cohort of Cardinals from North American, African, and various European identities. This reflects the rising influence of the Global South.
Religious & Cultural Diversity
The film critiques traditional Western institutions by portraying the Church as a fallible human institution. It explores the tension between historical dogma and the complexities of modern morality.
Disability Representation
There is no significant representation of physical or neurodivergent disabilities. The focus remains almost exclusively on the psychological and political states of the high-ranking clergy.
Strengths
Areas for Improvement
AI Analysis
Conclave offers a sophisticated look at the friction between historical hegemony and global modernity. It succeeds in deconstructing institutional power by presenting a Church that is diverse in its ethnic makeup, reflecting a post-colonial shift in religious leadership. However, the film is heavily constrained by its setting. The narrative adheres to rigid, traditional hierarchies that exclude women from decision-making and offer no representation for LGBTQ+ or disabled individuals. This creates a narrow focus on a patriarchal, clerical world. Ultimately, the film is a study of systemic vulnerability. While it excels at portraying the globalized nature of modern institutions, its refusal to move beyond traditional gender and identity structures limits its overall inclusivity.

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