
Chasing the Devil
2014

2012
Director
Sean Hogan
Runtime
69 minutes
Average Rating
No ratings yetSynopsis
Two hit men stumble upon a black magic altar and a bloody sacrifice in the home of their target and become ensnared in the terrifying shadowy darkness of the occult.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film operates within a conventional heteronormative framework. There are no discernible LGBTQ+ characters or non-cisnormative identities present in the narrative.
Gender Representation
The story utilizes a male-centric protagonist model. While Alice Eve provides a central female presence, the film follows established genre tropes rather than subverting gender hierarchies.
Racial & Ethnic Diversity
The casting appears homogeneous and leans toward an Anglo-Saxon majority. There is no evidence of diverse racial representation or race-bent casting within the production.
Religious & Cultural Diversity
Occultism and black magic serve as horror devices rather than tools for systemic critique. The narrative focuses on criminal underworld dynamics rather than specific religious ideologies.
Disability Representation
The film lacks characters with visible or invisible disabilities. Disability is not utilized as a central theme or a character-driven arc in this story.
Strengths
Areas for Improvement
AI Analysis
The Devil's Business is a traditional genre piece that prioritizes neo-noir suspense and horror tropes over intersectional storytelling. It relies on established cinematic structures that favor a homogeneous cast and conventional character archetypes. The narrative lacks meaningful representation across most identity categories. It functions as a standard crime-thriller, focusing on the tension of the occult rather than exploring diverse social or cultural perspectives. Ultimately, the film adheres to a traditional approach to filmmaking. It does not attempt to disrupt social hierarchies or provide nuanced portrayals of marginalized identities.

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