You are here:

Slightly Ahead

Name: Slightly Ahead
Director: Norbert Carbonnaux
Released: 1956
Duration: 88 min

Representation Score

0.4/10

Minimal

1956

Director

Norbert Carbonnaux

Runtime

88 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Slightly Ahead is a conventional mid-century comedy that reinforces the social and demographic status quo of its time. The narrative is driven by male-centric schemes of deception and greed, offering limited space for diverse perspectives. The film focuses on a localized French setting, lacking characters who reflect more than one aspect of diversity. It operates as a standard comedy of manners that prioritizes individual pursuits over social critique. Ultimately, the work reflects the era's cinematic tendencies by centering masculine ability to act and Western European norms while neglecting LGBTQ+, racial, and disability representation.

Watch this, not that →

Category Breakdown

Does Slightly Ahead have LGBTQ+ representation?

Minimal

The film does not depict any non-binary or same-sex relationships, sticking closely to the assumption that everyone is straight and cisgender.

How does Slightly Ahead portray gender?

Limited

The story revolves around male characters and their activities such as swindling and horse racing. Female characters play minor roles and are mostly peripheral.

How racially and ethnically diverse is Slightly Ahead?

Minimal

The film portrays a homogeneous French provincial community, lacking any intentional racial diversity. It treats Western European social structures as the norm.

How does Slightly Ahead represent religion and culture?

Limited

The plot focuses on individual wealth accumulation and traditional capitalist dynamics, following a standard comedic structure of deception without addressing systemic critiques.

Does Slightly Ahead include disability representation?

Minimal

There is no representation of physical, neurodivergent, or mental health conditions. The characters' arcs do not address any form of disability.

Present on Screen

The film offers a clear, focused comedic structure centered on a classic swindler versus sucker dynamic.

Limited or Absent

The narrative lacks gender diversity, centering almost exclusively on male characters and masculine-coded activities.
There is a notable absence of racial, LGBTQ+, and disability representation, reflecting a very narrow demographic scope.
The story reinforces traditional social hierarchies rather than offering any critique of systemic institutions or cultural norms.

Official Synopsis

A brilliant swindler, Olivier Parker, hires a small-time pipe salesman, Amédée, to swindle a naive provincial, Ferdinand Galiveau, a chicken merchant. Renamed Teddy Morton and now a jockey, Amédée must ride a mare on which Ferdinand, advised by Parker, must bet. Absolutely convinced of his mystification, Parker bets on an oddball who, of course, loses, while at the last minute Galiveau, having bet on an outsider, wins a fortune. All Parker has to do is find another sucker.

How are these scores produced? →