The film lacks LGBTQ+ characters or non-cisnormative identities. Romantic arcs focus entirely on heteronormative pairings without exploring or critiquing these norms.

Evelyn disrupts traditional hierarchies by exercising significant agency and intellectual autonomy. She manages her own affairs rather than serving as a passive prize for the male leads.

Black characters, such as the preacher, possess a distinct cultural presence. While the film acknowledges systemic racism and the KKK, the central plot agency remains with white protagonists.

The narrative uses the Great Depression to critique capitalism and social hierarchies. It frames religious and state authority through a lens of skepticism and moral relativism.

There are no prominent depictions of visible or invisible disabilities that serve as central character traits or drive the narrative forward.