The film lacks any evidence of non-cisnormative identities. It adheres to the strict social codes of 1937, offering no narratives that critique heteronormativity.

Characters are portrayed through the lens of 1930s public images. This reinforces traditional hierarchies, casting women in roles of glamour or domesticity and men in positions of authority.

The film reflects the racial homogeneity of the 1930s Hollywood industry. It lacks diverse character agency or evidence of race-bent casting among the featured stars.

The focus remains on celebrating celebrity culture and the Hollywood establishment. There is no indication of deconstructing Western institutions or mainstream cultural norms.

There is no evidence of characters with disabilities being portrayed with agency. In this era of caricature, disability was often used as a comedic device.