The film focuses on otherworldly movement and abstracted time rather than interpersonal dynamics. There is no evidence of non-cisnormative identities or same-sex intimacy.

A lack of defined characters prevents a traditional gender hierarchy from forming. The film remains neutral through omission, neither reinforcing nor subverting gendered tropes.

Rooted in Japanese experimental tradition, the film avoids a homogeneous Western norm. However, long-exposure techniques obscure specific ethnic markers and diverse character arcs.

The non-Western aesthetic disrupts standard Hollywood narrative structures. It offers a subjective, non-secular exploration of existence through haunted spaces and ominous atmospheres.

The film does not depict characters navigating physical or sensory disabilities. While the sensory-heavy approach impacts the viewer, it lacks character-driven disability representation.