
Au Pair Girls
1972

1969
Director
Menahem Golan
Runtime
105 minutes
Average Rating
No ratings yetSynopsis
Timothy Bartlett (Norman Wisdom) is a middle-aged banker who is sent to a seaside resort for a banker's convention. He fears the meetings will be frightfully dull, but things change when two amorous hippie girls take Timothy for a sail on the sea of love. Timothy goes middle-aged crazy, making a spectacle of himself in hippie clothes as he tries to fit into the swinging scene. Nude dips in the ocean are followed and preceded by wild parties as he tries to recapture the days of his flaming youth. After he feels remorse and embarrassment over his behavior, he calls on his wife to join him at the convention to rekindle their love in this lowbrow comedy. The British rock group The Pretty Things provides the music.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film adheres to the heteronormative standards of the late 1960s. There is no evidence of same-sex intimacy or non-cisnormative gender identities within the narrative.
Gender Representation
The story relies on sex-comedy tropes where a middle-aged man pursues younger women. This structure reinforces traditional patriarchal hierarchies rather than granting female characters independent agency.
Racial & Ethnic Diversity
Filmed in Israel with an Israeli cast, the film reflects its local production setting. However, it lacks intersectional casting or proactive efforts to represent diverse ethnic groups.
Religious & Cultural Diversity
The plot focuses on individual romantic entanglements and personal morality. It offers no critique of Western institutions, capitalism, or religious structures.
Disability Representation
There is no visible evidence of characters with physical or neurodivergent disabilities serving as central figures or plot devices.
Strengths
Areas for Improvement
AI Analysis
What's Good for the Goose is a conventional 1960s comedy that operates within the established social hierarchies of its era. The narrative focuses on a middle-aged banker's romantic pursuits, utilizing standard sex-comedy tropes that prioritize male agency over female autonomy. While the film reflects the demographic reality of its Israeli production setting, it lacks intentionality regarding intersectional representation. It functions as a product of its time, favoring traditional romantic frameworks and personal morality over systemic critique or the subversion of social norms.

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