The film lacks explicit LGBTQ+ narratives or non-cisnormative identities. Character dynamics focus on traditional male camaraderie without subverting heteronormative structures.

The plot is driven by male-centric agency and the bond between the two protagonists. Female characters occupy secondary positions within conventional roles that do not challenge patriarchal structures.

Casting Pakistani actor Ayub Khan in a historical Scottish setting disrupts expected homogeneity. This choice expands the visual and cultural scope of the period piece.

The narrative critiques Western institutions by portraying the British state as an oppressive force. It frames the struggle of the peasantry against imperial control through a post-colonial lens.

There is no significant evidence of visible or invisible disability representation. Characters with disabilities are not utilized as central plot devices.